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– “Guaranteed Raw” “Brooklyn’s Finest” may be the obvious choice, but we’re more fond of Biggie’s boom-bap homage to rap’s yesteryear, “Guaranteed Raw.” On it, the “heavyset brother from Fulton Street” takes you through an average day in the life of “Bed-Stuy Brooklyn where this rapper was originated” - one that saw him “makin’ money smokin’ mics like crack pipes,” drinkin’ Hennessy, and smoking a blunt or two. With such an ability to harness the energy of a city in one late-night bootycall, when Smith “takes the big plunge” and wants to tell the world that she just “ah-ah made her mine,” she might as well be talking about rock ‘n’ roll itself.Ĥ6. Everything is sped up - the song’s speed-of-a-subway tempo as well as Gloria’s game as she arrives at the narrator’s walk-up for a midnight tryst. In 1976, in probably the best of the tune’s many covers, Smith adapted “Gloria” for the burgeoning CBGB crowd, adding the iconic opening “Jesus died for somebody’s sins…but not mine.” A lot about Gloria got grittier after she moved to Manhattan - Smith takes away all the polite innuendo, replacing it with more-than-suggestive grunts and references to parking-meter humping.
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Patti Smith – “Gloria” Van Morrison taught us how to spell the lady’s name, but we credit Patti Smith for making her a New Yorker. In that way, it’s just like living in New York.Ĥ7. The outrage about it is at best self-serving and at least misguided. “Brooklyn Girls” is a comitragic, catchy-as-hell romp whose hook reels you in whether you like it or not. And Shaw may be, as Vice described her, “the Rebecca Black of Brooklyn gentrification,” but the fact is that she wouldn’t exist had Vice not already done a majority of the legwork in turning once-industrial, blue-collar Williamsburg into a place for overpriced vinyl and pour-over coffee. If the song is insufferable, it’s because that part of Brooklyn has become insufferable. Many of us - especially in the parts of Brookyn Shaw is describing - are a bunch of navel-gazing art types here on someone else’s money. Because like it or not (and many choose the latter, understandably) this is what we are now.
The message inherent in Catey Shaw’s “Brooklyn Girls” is tough to digest - that our beloved Brooklyn of yesteryear has forever changed, that it has been whitewashed beyond recognition - but there’s no denying that no other song out of New York this year did a better job of describing us to us. Catey Shaw – “Brooklyn Girls” OK, you’re right. Baker, Heather Baysa, Jack Buehrer, Jesus Diaz, Tom Finkel, Chaz Kangas, Mike Laws, Linda Leseman, Brian McManus, Albert Samaha, Alan Scherstuhl, Mike Seely, Brittany Spanos, Katherine TurmanĦ0. Listen to our Spotify playlist, which has most of the songs you’ll read about below.Ĭontributors: Steve Almond, R.C. We started by agreeing on the songs we shouldn’t include - naked and clunky stabs at new New York anthems that fall flat and ring inauthentic, like Jay-Z’s “Empire State of Mind,” U2’s “New York,” and Taylor Swift’s “Welcome to New York.” Instead, we focus on tracks that are so New York, and so good, they can’t be denied.
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Our mission: to come up with a list of the 60 best songs ever written about our city, songs that best capture what it’s like to live, love, struggle, and exist in the sprawling, unforgiving, culturally dense metropolis we pay too much to call home. For the past few weeks we’ve been locked in the basement at Yankee Stadium, subsisting on nothing but Bergen Bagels, listening to the best songs about New York City through headphones endorsed by Lou Reed.